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While I have to admit that I'm curious to see how well Hollywood can transform Cedric Diggory into Edward Cullen, I must honestly say I don't love him. I don't hate him either, but I think Stephenie Meyer destroyed any chance he and I had the thirteenth time she described his smell. Seriously. But whether our beloved BYU English department polished Stephenie's writing into something worth reading isn't really something I want to talk about (though I will mention that at least half a dozen people have promised me that if I can just make it to the last quarter of the book, it gets "better." Take that for what it is).
I think the more important matter at hand here is the question of making a book into a movie. I have friends who have made hobbies out of making movies (and have attended film school, for that matter) and we've talked about it, and I think I've come to a sound opinion on the matter.
When a book becomes a movie, it ceases to be a book. If you go in to any movie theather expecting to see what you imagined, even if you're the author, you're not going to get it. Think about it: In a book, you can say something that the main character is thinking, but how on earth can you depict it as clearly on screen as the author did in the book?
There are, however, certain things movies can do that are impossible in books. If a picture is worth a thousand words, a motion picture speaks volumes. No descriptions — if any medium understands "show, don't tell," it's film.
So on Nov. 12 the world gets a new movie. Thousands of Twilight fans will hate it and thousands more will love it.
I think I'll stick to Harry Potter. I like Cedric better than Edward anyway.